They are the most chronicled family on the face of the globe. Their every move attracts headlines. Scores of books have tried and failed to penetrate the royal facade. Now Kitty Kelley has gone behind palace walls to provide the first three-dimensional, comprehensive, and evenhanded portrait of the men and women who make up the British Royal family. Kelley spent more than four years investigating the royal family. In addition to meticulous research into documented sources, she conducted hundreds of exclusive interviews with past and present employees of the royal household, royal friends and relations, courtiers, members of Parliament, and other intimate observers, raising the curtain on this most secretive family. Here are lonely royal children brought up without a proper education in isolated and artificial surroundings, twentieth-century adolescents with nineteenth-century touchstones. Here are the sexual ambiguities, the alcoholism, gambling, and womanizing that were common in the House of Windsor long before Prince Charles married Lady Diana Spencer. No one is spared; here are the scandals of the last decades: the doomed marriages, and the husbands, wives, lovers and children caught in their wake and damaged beyond repair. Illuminating the Windsors’ arrogance, naï veté , and lusts as well as hard work, dedication, and ability to survive the most humiliating disclosures, “The Royals” is Kitty Kelley’s richest, most iconoclastic, historically significant, and compelling work.
Kitty Kelley (born April 4, 1942) is an American journalist and author of several best-selling unauthorized biographies of Jacqueline Kennedy Onassis, Rock Hudson, Elizabeth Taylor, Frank Sinatra, Nancy Reagan, the British Royal Family, the Bush family, and Oprah Winfrey. Although Kelley has been called “the consummate gossip monger, a vehicle for all the rumor and innuendo surrounding her illustrious subjects” she maintains, “I am an unabashed admirer of transparency and believe in the freedom guaranteed by the First Amendment” and, to that end, her writing is about “moving an icon out of the moonlight and into the sunlight”. However, as her work endured more scrutiny, many of the facts she reported did not hold up. (Source: Wikipedia)